Perhaps reflecting the problematic nature of this feast day, there is little music that can be linked to its theme, with some notable exceptions in hymnody, such as Diademata. Despite its title, the Collegium Regale Service setting of Herbert Howells (1892-1983) was a commission of the Dean of York and has no particular royal association, though its echoes of Elgar make it eminently suitable for today's observance. The organ postlude Crown Imperial by William Walton (1902-1983) was a commission of the BBC for the 1937 coronation of King George VI in Westminster Abbey, and the expansive, majestic spirit of Elgar is again apparent, and in even greater measure.
Although they were contemporaries, Kenneth Leighton (1929-1988) had little in common with Howells and Walton, and he acted fervently on his impulse to depart from the musical tradition they so steadfastly maintained. Let All the World in Every Corner Sing was written in 1965 for St. Matthew's Church Northampton. It is an energetic, tightly organized piece reflecting Leighton's lifelong interest in new forms of composition and the use of sustained musical tension as a means of heightening expressive force. In this, the work effectively invokes the spirit of the Collect of the Sunday Next Before Advent: "Stir up, we beseech thee, O Lord, the wills of thy faithful people; that they, plenteously bringing forth the fruit of good works, may by thee be plenteously rewarded."
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